Bobby Braddock
The only living songwriter to have written number-one country songs in five consecutive decades
One of country music’s most prolific and successful songwriters, Bobby Braddock has had No. 1 hits spanning five decades of Billboard’s country charts. As a young boy in rural central Florida, however, he wasn’t the biggest fan. “My older brother and his friends loved what we called ‘hillbilly music,’” he recalls, “and I remember thinking, ‘I could write that stuff myself!’” All that changed when young Bobby was in junior high.
I was watching a local TV dance show out of Orlando and the kids were doing the same kind of dancing that their parents had done twenty years ago. And the emcee said, “We’re going to play a song now that’s causing a lot of controversy. Some people say it’s pop; some say it’s hillbilly.” He played Elvis Presley – and I was a gone goose. I loved it. And I started loving Johnny Cash, too. And then, realizing that I was listening to stuff that people considered country or hillbilly, I started to listen to the more traditional stuff – and ended up falling in love with that, too.
Braddock moved to Nashville in 1964, intent on making it in the country music business. He worked for a while as Marty Robbins’s pianist and, after Robbins took his song “While You’re Dancing” to No. 21 on the charts, signed with Tree Publishing as a staff writer. It was with Tree that Braddock saw his first Top 10 hits, beginning with the Statler Brothers’ “Ruthless” and “You Can’t Have Your Kate and Edith, Too.”
In 1968, Braddock collaborated with writer Curly Putman on the first of several hits: Tammy Wynette’s “D-I-V-O-R-C-E,” which shot to No. 1 on the country charts in less than a month. Perhaps the duo’s most famous collaboration, however, was George Jones’s mega-hit, “He Stopped Loving Her Today”— a tour de force that revitalized Jones’s career, earned Braddock and Putman CMA awards for Best Song of the Year in 1980 and 1981, and has been named “the greatest country music song of all time” on multiple lists. Other hits written or co-written by Braddock include “Golden Ring” (Wynette and Jones), “I Believe the South’s Gonna Rise Again” (Tanya Tucker), “Come On In” (Jerry Lee Lewis), “Faking Love” (T. G. Sheppard), “Time Marches On” (Tracy Lawrence), and “I Wanna Talk About Me” (Toby Keith).
In 2001, Braddock discovered Blake Shelton, securing a record deal for him with Electra and serving as his producer. Together they had multiple No. 1 hits, including Shelton’s debut single “Austin,” which spent five weeks atop the country charts.
In 2011 Bobby Braddock was the first inductee in a new songwriter category for the Country Music Hall of Fame. That same year BMI honored him with their coveted Icon award, citing nine of his songs that have been played on the radio over a million times. He has written two well-received memoirs, Down in Orburndale: A Songwriter’s Youth in Old Florida (2007, Louisiana State) and Bobby Braddock: A Life on Nashville’s Music Row (2015, Vanderbilt).
Born: August 5, 1940, Lakeland, Florida | Bobby grew up in Florida
Florida Musicians, Jim Stafford, Bobby Braddock, Kent LaVoie and Gram Parsons (of the Byrds) played together in a band, each member of this little “garage band” going on to national success in the music business. Jim was introduced to comedy while playing with Jumpin’ Bill Carlisle in Nashville as a guitarist.
